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Hyacinthe Rigaud
1659-1743
French
Hyacinthe Rigaud Gallery
He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659).
In 1682, he was awarded the Prix de Rome.
He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him.
Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles.
In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael.
Hyacinthe Rigaud died in Paris, France on December 27, 1743. Related Paintings of Hyacinthe Rigaud :. | Portrait of Elisabeth Charlotte of the Palatinate (1652-1722), Duchess of Orleans | Duchess of Orleans | Antoine Paris | LOUIS XIV | Portrait of Marie Cadenne | Related Artists: Matthys NaiveuDutch Baroque Era Painter, 1647-ca.1721 Joseph Anton Koch1768-1839
Austrian
Joseph Anton Koch Galleries
was an Austrian painter of the German Romantic movement. The Tyrolese painter left academic training in the Karlsschule Stuttgart, a strict military academy, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' 'heroic' art, at first in a literal manner.
After 1800 Koch developed as a landscape painter. In Rome he espoused a new type of 'heroic' landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. He left Rome in 1812 and stayed in Vienna until 1815, in protest of the French invasion. During this period he incorporated more non-classical themes in his work. In Vienna he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher, and this new approach had a wide influence on German landscape painters who visited Rome. Mor, AnthonisNetherlandish Painter, ca.1517-1577
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